When asked by the WSJ how this image differs from the the iconic HOPE image, he said the following: Rather than looking like a slick propaganda poster like the “Hope” image did, I wanted it to have more of a painterly look. There’s also a collage in the background, with a lot of different experiences and voices and textures organically mixing together. Also in regards to the painterly aspect, I purposely left the bottom [edge] unfinished, which is both a reference to Gilbert Stuart’s unfinished George Washington portrait, and also meant to speak to the fact that Obama’s presidency has just begun.





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